Case Study 76: Unforgettable, Episode 18–“The Comeback”

Original Airdate: March 20th, 2012 on CBS

CBS is currently airing 17 dramas. That number alone is despair-inducing for a hard-working blogger trying to write about every remotely memorable television series ever made, but consider the following: a whopping eleven of them are about law enforcement and most of them could be fairly described as crime procedurals. CBS does this because these shows get great ratings. People eat this shit up. NCIS, Criminal Minds, Blue Bloods, and Hawaii Five-O regularly show up in the coveted top 25 broadcast slots for ages 18-49, and when you factor in the fact that older folks apparently can’t get enough of that sweet, sweet crime solving action, even MacGyver squeaks in. But there’s a certain amount of churn involved in keeping America’s La-Z-Boy recliners pointed at everyone’s favorite unblinking eye, and something like Unforgettable can fall through the cracks. In fact, Unforgettable fell through the cracks three times: CBS reluctantly brought the show back for two summer seasons after giving it the axe after season one. They gave up on the show for good after season three. But Unforgettable had an unlikely third life on A&E, who was tentatively trying to develop a slate of original dramas at the time! I guess they figured it’d make a good complement to endless syndicated reruns of Minds. Alas, 13 episodes later A&E decided they had better get out of the original drama business, and now all that’s left is the sleeper hit Bates Motel. And it turns out it’s kind of a shame that Unforgettable got lost in the shuffle, because I really liked this! Which may be a minor miracle unto itself, since AV Club called it the second worst new drama of 2011 on the strength of the pilot!

Strengths

  • Carrie. As soon as you get past Poppy Montgomery’s earnest yet atrocious attempt at an American accent, you realize that our protagonist is more intriguing than your typical TV investigator without being as over the top as the stars of things like Monk and Sherlock. You see, the big gimmick here is that Det. Carrie Wells has hyperthymesia, a condition that gives her extremely detailed autobiographical memory. On the face of it, this is a pretty silly concept, but between The Mentalist, Medium and Limitless, CBS isn’t exactly subscribing to the Dogme 95 manifesto. I could see how this could lead to unevenness—VanDerWerff seems pretty upset about it and the other episode I watched stretched plausibility to a certain extent. But in this episode, everything sings. The writers don’t overplay their hand. Everything Carrie remembers is something she could have actually perceived in the first place and no superpowers or great feats of contrivance are needed. Even with all the attendant foolishness, Carrie still comes across as a real person. Her skills have made her overconfident, but her natural drive pushes her boldly forward, even if the results could be risky, messy or both. It makes sense that when she’s not at work she’d be gambling too much and making unwise romantic decisions. She’s fully conceived and a hell of a lot more likable than that wang on Psych.
  • Meatier story than you usually get from a procedural. This episode plays into an overarching plot line about a mysterious precision sniper locked into a cat and mouse game with Carrie. Sure, actual serial killers are super rare—one percent of all murders at most—but fiction about them remains compelling, especially when we entertain ourselves with the “evil genius” archetype personified by Hannibal Lecter or the dude from Se7en. Here’s another way the show would rather be fun than be realistic. If you want realism, watch Homicide: Life on the Streets or The Wire. I like those shows just as much, but don’t compare them to Unforgettable, because despite superficial similarities they’re doing completely different things. Anyway, I was pleased that this show was willing to turn the sniper killer into a whole plot arc instead of just an easily syndicated case of the week affair all too common in a post-Law & Order world. And they do something interesting with it! In the first episode about the sniper, all the clues point to a crazed loner who turns out to be a patsy for the real puppetmaster. The trail goes cold until Carrie meets a high-powered attorney named Walter Morgan (James Urbaniak, The Venture Bros). Her suspicions gradually become more tangible, but on the way he helps her solve tonight’s primary mystery. Procedurals live and die in the nitty gritty details, and Unforgettable delivers in spades: an up-and-coming tennis prodigy is killed in a staged robbery/homicide. Before long we’re introduced to the corpse of her drug-enthusiast boyfriend from the amateur circuit. Then we learn about a shadowy trust fund that was giving vast sums of money to both the victim and to another tennis player, Ella Zimmer (Sophia Rokhlin, Buffering). The trail leads back to a politically powerful family and their intimidating fixer, Jonathan Hedstrom (Jay O. Sanders, Green Lantern.) It’s plausible and it’s textured enough to be satisfying, and the only thing more scary than a sociopathic killer is a ruthless politician, so the mystery plot is rewarding even though it’s only window dressing for the longer plot arc about the sniper. Pretty graceful, considering the source.
  • Strong/improving supporting performances. Can we just take a minute to acknowledge Urbaniak, though? He absolutely nails Morgan’s creepy intelligence while still making him believable as a smarmy attorney, which is impressive since he’s already demonstrated his ability to make clever if insane cartoons. Apparently Urbaniak has a thing for crime procedurals, too: he’s also shown up on Hawaii, Mentalist, Body of Proof, Medium, NCIS, CSI: Miami, Without a Trace, Numb3rs and Law & Order: Special Victims Unit. I don’t know if he improves those shows as much as helps this one, but he’s a definite highlight. Also coming into her own is Jane Curtin (Saturday Night Live), who plays stock wacky medical examiner Joanne Webster. She was introduced halfway through the first season and at first it seemed like she’d be mugging the hell out of some hacky CBS “humor,” but she’s settled down a bit and made the character seem more natural.

Final Episode Judgment: 10/10. This episode really inspired me to think about what a perfect rating means. On the one hand, I’m tempted to reserve this rating for only the very best the medium has to offer–something so artful and instantly canonical that it would give Harold Bloom a wet dream. But by that metric, no episode of Unforgettable could ever possibly qualify, seeing as how it’s a crime procedural with a silly premise designed to fill the hours and entertain the old and infirm. Instead, I’m giving out this rating based on the fact that the show achieves everything it sets out to accomplish with grace and aplomb. It has no real meaningful larger social or thematic message. It doesn’t stir the depths of human emotion. But it was a consummately entertaining 42 minutes with no real flaws. It absolutely made me want to watch more of this dumb show, inconsistent though it may be. As far as I’m concerned, it’s right up there with We Bare Bears.  

One more fun fact before we go that I couldn’t fit anywhere else: the working title for this show was The Rememberer. Listen, the title Unforgettable is a lazy slice of cheese, but The Rememberer sounds like Jenna Maroney’s next project after The Rural Juror. The only excuse is that the show is based on a short story by the long-suffering J. Robert Lennon, and the stupid title is his. That is just a breathtakingly dumb title for a TV show, though.

NEXT TIME: It’s been too long since we’ve discussed any science fiction, and it’s been even longer since I’ve come glancingly close to reviewing Doctor Who, so let’s talk about Torchwood!

Case Study 76: Unforgettable, Episode 18–“The Comeback”