Case Study 77: Torchwood, Episode 30–“Children of Earth: Day Four”

Original Airdate: July 9th, 2009 on BBC One

Back in 2005, Russell T. Davies helped revive the hibernating Doctor Who franchise with a reboot that made many common-sense changes, like switching to film over videotape and increasing episode length to the 50 minutes that are standard for a TV drama. He also added story structures and a sense of humor that revealed he had been closely studying Buffy the Vampire Slayer. Nearly 11 million people watched the debut, and now Doctor fans have taken over every last nook and cranny of the internet. Davies is a man so smutty that he named a trio of miniseries after the gradations on a penile hardness scale, so of course he jumped at the chance to make an adults only Doctor spinoff.* Some letters were rearranged and some clues were dropped in episodes of Doctor and Torchwood was born. For its third season, Torchwood was a five-episode series called “Children of Earth.” I rewatched all five for this review, as well as a few extra episodes of Torchwood and Doctor for good measure.


  • The 456. “Children” is a first contact story, and it’s always fun to see how any given creative team conceptualizes that moment when humans realize they’re not alone in the universe. Of course, that moment had already come and gone for the Whoniverse, but this season chronicles first contact with a different alien species. Except it’s technically the second contact, but most people don’t realize that. Anyway, the litmus test here is whether or not the aliens are cool, original and intimidating, and the 456 are definitely all three. They demand that British civil servants secretly construct a chamber full of various exciting toxic gases, and then they beam down an ambassador that’s really more of a thrashing, tentacled, vomiting monster. It also yells a lot. And then come to find out that they slowly suck minerals and resources out of terrified, living human children to use as recreational drugs. It kinda blows ALF out of the water.
  • Provocative ethical problems. So of course the aliens want more delicious children. But they’re not unreasonable—they only want 10% of all human children. Of course, if they don’t get their fix they’ll use unimaginably powerful alien technology to destroy all life on Earth. This raises several issues. Do you fork over the kids? The British government feel like they have no other options, although of course our hero Captain Jack Harkness (John Barrowman, Arrow) eventually finds a solution. The show still doesn’t miss the opportunity to ask whether it’s okay to do something unethical even if you have no other option—we watch as Jack lacerates himself over coughing up an orphanage’s worth of podlings to the baddies back in 1965. Even more revealing are the conversations we watch unfold at the top levels of the British government over which kids get selected. They eventually decide on students from the 10% worst performing schools, because if there’s anything Torchwood loves it’s shitting all over the sunny optimism about human nature on display in Doctor. But how would you choose which kids get turned into alien bath salts? At this point I’m required to remind you for self-promotional reasons that if you want additional discussion of BBC miniseries about aliens invading decades after they first appear to a select group of individuals, you can always read my review of Invasion: Earth.
  • Jack & Ianto. Get poised on your fainting couches, because one of the revolutionary, edgy changes brought about by Torchwood is homosexual PDA! Gloriously pansexual Jack has been sniffing around Ianto (Gareth David-Lloyd) since season one, and now they’re finally an adorable couple. Straight-laced nerdy secretary Ianto is a plausible and satisfying partner for a charming, cheeky hero like Jack, and a scene where Ianto angstily confronts Jack about his actions in 1965 adds texture to their relationship. Of course, Davies ruins this like the big drama queen that he is, but I’ll hold off on that for now.
  • Extended families. Over the course of “Children of Earth,” we get to see how the alien invasion impacts Jack’s daughter and grandson as well as Ianto’s working class sister. Lesser shows would have tried to squeeze an hour of drama out of an introduction to the family members of the main cast, but Torchwood manages to handle something as momentous as Ianto coming out to his sister elegantly in a single scene. It’s also clever for narrative purposes to include Jack and Ianto’s families so we can get a perspective on the alien crisis from people that aren’t government officials or rogue secret agents.
  • Peter Capaldi. Hey, look who shows up in “Children” as Home Office Permanent Secretary John Frobisher! Of course, Davies and Steven Moffat have a patently nonsensical explanation for why Capaldi showed up in both Torchwood and Doctor in other roles before he became The Doctor, but it’s always a pleasure to see Capaldi regardless of the circumstances. His performance is the highlight in a season that also features stellar turns from Barrowman and Eve Myles, who plays nominal main character Gwen Cooper.
  • Espionage. In the long run it doesn’t matter whatsoever, but much of the season is taken up by a plot thread involving Frobisher’s secretary, Lois Habiba (Cush Jumbo, The Good Wife). Quick sidebar: Davies explained in an interview that they couldn’t get Freema Agyeman to reprise her character Martha Jones in season 3 of Torchwood and that instead viewers get Lois, “who’s kind of the Martha figure,” which is true in that she is a black woman and in no other way. Good one, Russ! Aaaaaanyway, Lois thinks Frobisher’s skullduggery is weird and becomes a mole for Torchwood, complete with high-tech gadgets and clandestine meetings and pointlessly announcing her secret affiliation at the most dramatic possible moment. This kind of stuff is always thrilling to me, even if it’s completely pointless as far as the main plot is concerned.


  • Dramatics, your honor.** For some reason, Jack brings Ianto with him to have a violent confrontation with the 456 and it ends exactly how you’d expect when you fight evil aliens with secretaries. Hell, we already established that you can’t even fight evil civil servants with secretaries, although Frobisher’s senior secretary (Susan Brown, The Iron Lady) gets the last laugh in episode five. And it’s not just Ianto who dies pointlessly to lend everything a sense of tragic gravitas: Frobisher kills himself and his entire family in the finale! If Davies and Ryan Murphy should ever find a way to collaborate on a TV show, it would inevitably be the world’s most melodramatic exploration of the identity of cis gay white men.  

*Ironically, the new show’s “after dark” sensibility was thwarted later in its run when BBC blanched at all the gay sex that happened in the fourth and final season. They also edited earlier episodes after popular demand from younger viewers.

**If you recognized that this was a Good Wife reference in honor of Cush Jumbo, you win a fabulous prize to be determined later or possibly never!

Final Episode Judgment: 9/10. Torchwood should please all but the most ardent sci-fi haters. I was astonished to find that I liked every episode I watched of Torchwood more than I enjoyed the one Doctor episode I watched for this review, which was “The Christmas Invasion.” And that’s classic Tennant/Piper-era Doctor! HAS THE WORLD GONE TOPSY-TURVY?!

NEXT TIME: We stay in Britain but go plummeting down a couple of age brackets as I review Shaun the Sheep!

Case Study 77: Torchwood, Episode 30–“Children of Earth: Day Four”