Case Study 80: Family Ties, Episode 30–“Batter Up”

Original Airdate: November 30th, 1983 on NBC

The family sitcom is the last refuge of the scoundrel of TV mediocrity. If you have airtime to fill and no interesting ideas to fill it with, give us cute kids, some tame humor and the barest shred of novelty. It’s hard to enjoy the anodyne domestic stories of years gone by in a post-Simpsons world, but it does make it easier to understand why that show made such a splash and why Married With Children might have seemed like a breath of fresh air. Of course, everything old is new again. At this point, arch depictions of dysfunction seething beneath conformity are boring (F is for Family, anyone?) and an old-fashioned goofy family sitcom like Modern Family has a wheelbarrow full of Emmys, despite not really being as modern as all that. Which is all well and good: if it’s funny, it doesn’t need to be groundbreaking. Family Ties is self-evidently not groundbreaking. It centers around the political conflict between liberal parents and a conservative son, an empty mirror image of the much more interesting All in the Family. But is it funny? Well-l-l-l….

Strengths

  • Hilarious 80s fashion. Nothing says style like a fuschia vest over a dark purple sweater, worn with panache by the inestimable Tina Yothers as eleven-year-old Jennifer. Meanwhile, teenage Mallory (Justine Bateman) is headed off to school in inexplicable Laura Ingalls Wilder cosplay. And I realize that annoying neighbor Arlene (Tanya Fenmore, My Stepmother is an Alien) is supposed to be nerdy, but all the lace ruffles are a touch extra even for her.
  • One mildly amusing line. Laughs and even smiles are few and far between in this joyless “comedy,” but there was one tiny moment. Loathsome teenage Republican Alex P. Keaton (Michael J. Fox, Back to the Future) is coaching Jennifer’s softball team with a decidedly Malthusian philosophy. All of the other girls start to back out so as not to have to deal with him, and we hear one side of his phone conversation with a truculent mom. I’ll pause here to say that a one-sided phone conversation is always an easy way to get a laugh. Some of the most potent comedy asks us to rely on our imagination of offscreen reactions and events. We see him saying, “Ms. Scofield, be reasonable…this is the championship game and we’re going to forfeit without Charlotte…We can give her her medication between innings!”

 

Weaknesses

  • Terrible acting. There’s a reason most of these people didn’t have much of a career outside this show. Fox was the breakout star, and he’s more or less inoffensive here, if a bit whiny. This episode is really a showcase for Jennifer, and Yothers handles herself with surprising competence, though we’re still grading on the child actor curve. Everyone else might as well be extras at a midwestern dinner theatre. Thankfully, the worst-in-show award goes to someone who’s not a part of the main cast: Marc Price as Skippy, Arlene’s equally annoying older brother.
  • Learning a valuable lesson. One thing I’ve learned writing this blog is that while overcooked melodrama is tedious, nothing is as intolerable as bad comedy. I was wrong. There is one thing more intolerable: bad moralistic comedy. I realize that 20th-century family sitcoms are notorious for this, but it’s very hard to do well. It takes someone like Norman Lear to be able to take an ethical dilemma and make it funny as well as thought-provoking. Needless to say, he didn’t work for Family Ties. In tonight’s episode, we learn that while winning is nice, it’s not worth damaging your friendships or brutalizing little girls. Well, except that…
  • There are no real consequences. Guess what happens at the end of this trifling nonsense? It looked like Alex wouldn’t have enough players to field a team due to his and Jennifer’s sociopath-adjacent behavior. Then Arlene and the girls on the team forgive them and they all run off to play in the game after all. What the hell was the point of all this if the Keatons get away with their bullshit anyway after a few half-hearted apologies?
  • Ableist humor. You know what this episode needed? A throwaway joke about “midget kickboxing.” Okay, so this might be unfairly applying the political standards of 2017 to 1983, but either way it’s not funny. Find a way to make your shitty jokes without mocking people because of their medical conditions or don’t make them at all. I mean, they might as well have not made any jokes at all judging by the humor of the end product.
  • Sexual harassment. Again with this bullshit. Hey comedy writers: stop sending the message that refusing to take no for an answer is funny or charming or endearing. It’s creepy and women have to deal with this behavior constantly. Part of the reason for that? Media that makes it seem innocent and acceptable. Honestly, I feel bad for Mallory! She exhibits remarkable restraint by ignoring Skippy instead of telling him to go furtively masturbate in his mother’s closet, and Elyse (Meredith Baxter) still chides her for being rude. Pretty sure that Skippy is the rude one, since he’s practically dry-humping the furniture. Quit perpetuating patriarchal hegemony, Elyse.

Final Episode Judgment: 0/10. Hey, it turns out the things I said were strengths were kind of backhanded compliments at best! Would you look at that.

NEXT TIME: I review Brides of Christ, an Australian miniseries about nuns possibly having fun in the 1960s. It’s not a comedy, but it’s still probably funnier than this horseshit.

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Case Study 80: Family Ties, Episode 30–“Batter Up”