Original Airdate: November 13th, 2013 on Hulu
Thanks to Netflix, it’s become de rigueur for streaming services to produce their own original programming, and Netflix hasn’t made it easy on its competitors, churning out critically-acclaimed hits like Orange is the New Black and Master of None. Amazon Prime comes in at a distant second for original fare, most notably due to the success of Transparent. But whither Hulu? If Amazon Prime is lagging behind, Hulu has died of a heart attack and is slowly decomposing in a heap somewhere. They had exactly zero shows in AV Club’s top 40 last year and the only Emmy nomination they received was for an election special helmed by the timeless and relevant Triumph, the Insult Comedy Dog. Honestly, the highlight might very well be The Wrong Mans. A network in this position is going to desperately try all kinds of crazy things in the search for the next big hit, including giving Eva Longoria money to star in an “edgy” animated sitcom described in Variety as being like “Family Guy for women.” Gulp.
- Periodically funny. If that sounds like I’m damning Mother with faint praise, it’s because I am. But it’s better than a joyless slog! Most of the jokes that work in this episode center around the near-critical levels of self-centeredness displayed by our protagonist, Rudi Wilson (Longoria, Desperate Housewives.) Here, Rudi tries to get her friend Sarah (Gabrielle Miller, Corner Gas) to loosen up, but after her first day-drinking bender, Sarah professes a desire to “buy drugs, burn things down and hurt people! Hurt them so much!” Without so much as a pause, Rudi cheerfully replies, “Okay! See ya tomorrow.” We get more along these lines from the episode’s subplot, which has Rudi’s ten-year-old son Dick (Jesse Camacho, Less Than Kind) unwittingly imprisoned when he tries to get close to an incarcerated father figure. The prison figures out their mistake before Rudi realizes Dick’s gone. This is exacerbated when she mistakes Sarah’s son for her own. Sarah corrects her, only to get a brusque “I don’t think so.”
- Breaking up a boy’s club. Look, there’s no good reason for anyone to try and bring more versions of Family Guy into the world. Seth MacFarlane is a cancerous growth on the taint of comedy. But there’s something to be said for an animated series where the morally deficient and hijinks-prone protagonist is a woman, unlike MacFarlane’s crap, or The Simpsons, or Futurama, or Bojack Horseman, or Archer, or that shitty Bill Burr vehicle on Netflix. And many of the other characters are tightass suburban moms! Sure, it may be a hoary cliche to make fun of soccer moms, but at least we’re dealing with a story by and about women. Of course, passing the Bechdel Test doesn’t guarantee quality in and of itself—but Leslie Knope would be proud.
- Turning around a derivative storyline. South Park famously lampshaded their own piss-poor creative skills by making a big deal about how The Simpsons had supposedly already tackled every good storyline, and Mother had me ready to compare Rudi and Sarah to Homer Simpson and Ned Flanders in Las Vegas. While Mother does retain the device of the milquetoast character going way too far in their indulgence, Rudi proves to be an unlikely voice of reason and moderation. She ultimately brings Sarah back from the edge of total insanity, though she still has to engage in some kind of death-match with cobra venom coursing through her veins. You know, edgy, etc. But this is promising. Rudi reluctantly stepping in to do the right thing shows the possibility of a well-rounded character who isn’t just wacky for wackiness’ sake. Of course, Mother didn’t survive past 13 episodes, so it was all a big waste of everyone’s time.
- Tasteless. This is my big problem with “edgy.” “Edgy” could mean that something is interesting, experimental, attempting the never-before-seen. Unfortunately, it usually means “let’s see if we can get away with jokes about children masturbating in public and giving their bullies blood-borne hepatitis.” It can be hard to draw the line between jokes about negligent parenting that play on our insights and observations of the characters and jokes that are just supposed to shock us into laughs of discomfort, because normally people frown on child endangerment. But this is a constant challenge for comedies relying on despicable characters—when do we stop laughing at them and start laughing at their victims?
- Unlikable protagonist. The protagonists of those male-driven animated comedies I listed above all exist on some continuity between well-intentioned idiocy and petty maliciousness. The further you get down that continuum, the more you’re forced to appreciate the show in spite of its hero, in the spirit of Archer. Mother Up was always going to struggle, but the fact that Rudi’s an asshole doesn’t help. I’ve never understood the TV writer’s penchant for assholes. Don’t we already have enough assholes in our day to day lives?
Final Judgment: 6/10. It’s not very good, but it’s head and shoulders above Family Guy. Have I mentioned how much I fucking hate Family Guy?
NEXT TIME: Hey, I liked it when Gundam had giant flying death robots, so I’m sure every anime with giant flying death robots is also awesome, right? RIGHT?! I review Zoids: Chaotic Century!